Based on the DC character, Kara Zor-El (series star MELISSA BENOIST) decides to embrace her superhuman abilities and be the hero she was always meant to be. Twelve-year-old Kara escaped the doomed planet Krypton with her parents' help at the same time as the infant Kal-El. Protected and raised on Earth by her foster parents, Jeremiah and Eliza Danvers (guest stars DEAN CAIN and HELEN SLATER), Kara grew up in the shadow of her foster sister, Alex (series star CHYLER LEIGH), and learned to conceal the phenomenal powers she shares with her famous cousin, Superman (TYLER HOECHLIN) in order to keep her identity a secret.Years later, Kara was living a normal life in National City and still concealing her powers, when a plane crash threatened Alex's life and Kara took to the sky to rescue her. In the aftermath, Kara decided she could no longer sit on the sidelines and came out as Supergirl. She now balances her job as a reporter for CatCo Worldwide Media, alongside her famous friend and Editor in Chief, James Olsen (series star MEHCAD BROOKS) with her work for the Department of Extra-Normal Operations (DEO), a super-secret government organization run by her sister Alex. At the DEO, Kara also gets help from her friends, J'onn J'onzz (series star DAVID HAREWOOD), the Martian Manhunter, Brainac-5 (new series regular JESSE RATH), and Lena Luthor (series regular KATIE McGRATH), who doesn't know Supergirl's true identity is that of her best friend Kara Danvers. In season four, Supergirl is facing a bigger threat than she's ever faced before a new wave of anti-alien sentiment, spreading across National City that's fomented by Agent Liberty (new series regular SAM WITWER). As Kara mentors a new reporter at CatCo, Nia Nal (new series regular NICOLE MAINES), and tries to use the power of the press to shine a light on the issues threatening to tear the city apart, Supergirl takes to the skies to battle the many villains who rise up in this era of divisiveness. But how does Supergirl battle a movement when she, herself an alien, represents one of the main things people are fearful of?
The story of two sisters who saved a stranger, and the stranger who stole their hearts.
Winner of seven Academy Awards including Best Picture, Director, and Screenplay, this critical and box-office hit from 1973 provided a perfect reunion for director George Roy Hill and stars Paul Newman and Robert Redford, who had previously delighted audiences with Butch Cassidy and the Sundance Kid in 1969. Set in 1936, The Sting features a pair of Chicago con artists (Newman and Redford) who find themselves in a high-stakes game against the master of all cheating mobsters (Robert Shaw) when they set out to avenge the murder of a mutual friend and partner. Using a bogus bookie joint as a front for their con of all cons, the two feel the heat from the Chicago Mob on one side and encroaching police on the other. But in a plot that contains more twists than a treacherous mountain road, the ultimate scam is pulled off with consummate style and panache. It's an added bonus that Newman and Redford were box-office kings at the top of their game, and while Shaw broods intensely as the Runyon-esque villain, The Sting is further blessed by a host of great supporting players including Dana Elcar, Eileen Brennan, Ray Walston, Charles Durning, and Harold Gould. Thanks to the flavourful music score by Marvin Hamlisch, this was also the movie that sparked a nationwide revival of Scott Joplin's ragtime jazz, which is featured prominently on the soundtrack. One of the most entertaining movies of the early 1970s, The Sting is a welcome throwback to Hollywood's golden age of the 30s that hasn't lost any of its popular charm. --Jeff Shannon, Amazon.com
Nativity Rocks! returns to St Bernadette's Primary School as the staff and students work together to win the coveted prize of ˜Christmas Town of the Year' by performing a spectacular rock music-themed nativity. Celia Imrie reprises her role as headmistress Mrs Keen, starring alongside a host of British talent including Simon Lipkin, Daniel Boys, Helen George, Hugh Dennis, Anna Chancellor, Ruth Jones, Meera Syal, Bradley Walsh and Craig Revel Horwood.
Based on the DC character, Kara Zor-El (series star MELISSA BENOIST) decides to embrace her superhuman abilities and be the hero she was always meant to be. Twelve-year-old Kara escaped the doomed planet Krypton with her parents' help at the same time as the infant Kal-El. Protected and raised on Earth by her foster parents, Jeremiah and Eliza Danvers (guest stars DEAN CAIN and HELEN SLATER), Kara grew up in the shadow of her foster sister, Alex (series star CHYLER LEIGH), and learned to conceal the phenomenal powers she shares with her famous cousin, Superman (TYLER HOECHLIN) in order to keep her identity a secret. Years later, Kara was living a normal life in National City and still concealing her powers, when a plane crash threatened Alex's life and Kara took to the sky to rescue her. In the aftermath, Kara decided she could no longer sit on the sidelines and came out as Supergirl. She now balances her job as a reporter for CatCo Worldwide Media, alongside her famous friend and Editor in Chief, James Olsen (series star MEHCAD BROOKS) with her work for the Department of Extra-Normal Operations (DEO), a super-secret government organization run by her sister Alex. At the DEO, Kara also gets help from her friends, J'onn J'onzz (series star DAVID HAREWOOD), the Martian Manhunter, Brainac-5 (new series regular JESSE RATH), and Lena Luthor (series regular KATIE McGRATH), who doesn't know Supergirl's true identity is that of her best friend Kara Danvers. In season four, Supergirl is facing a bigger threat than she's ever faced before a new wave of anti-alien sentiment, spreading across National City that's fomented by Agent Liberty (new series regular SAM WITWER). As Kara mentors a new reporter at CatCo, Nia Nal (new series regular NICOLE MAINES), and tries to use the power of the press to shine a light on the issues threatening to tear the city apart, Supergirl takes to the skies to battle the many villains who rise up in this era of divisiveness. But how does Supergirl battle a movement when she, herself an alien, represents one of the main things people are fearful of?
Every episode from the hard-hitting ITV drama series depicting the trials and triumphs of prison inmates and officers in the notorious women's prison of HMP Larkhall. The initial inhabitants of Larkhall's 'G' Wing, overseen by Wing Governor Helen Stewart (Simone Lahbib), include Nikki Wade (Mandana Jones), a woman serving time for murdering a policeman who assaulted her girlfriend. The unusual relationship that develops between Helen and Nikki highlights the complexities of prison life and the unique and intense environment of Larkhall.
SPITFIRE is a cinematic, epic, sweeping tale of determination, vision and courage. It is the story of an aeroplane that was forged in competition, shaped as the war clouds gathered, and refined in the white heat of combat going on to become the most famous fighter plane ever made. Credited with changing the course of world history, this is the story of the Spitfire told personally in the words of the last-surviving combat veterans. With breath-taking aerial footage from the world's top aviation photographer John Dibbs and rare digitally re-mastered, archive footage from the tumultuous days of the 1940's, when her power in the skies was unrivalled; all combined with an incredible soundscape of the famous Merlin engine, pierced with gunfire, makes this a striking and poignant film.
In an alternate timeline, in 1969 a Soviet cosmonaut, Alexei Leonov, becomes the first human to land on the Moon. This outcome devastates morale at NASA, but also catalyses an American effort to catch up. With the Soviet Union emphasizing diversity by including a woman in subsequent landings, the United States is forced to match pace, training women and minorities, who were largely excluded from the initial decades of U.S. space exploration. This epic series dramatizes an alternative history depicting what would have happened if the global space race had never ended. Using fiction with actual historical figures including Apollo 11 astronauts Neil Armstrong, Buzz Aldrin, Michael Collins, US senator Ted Kennedy, and US presidents, Richard Nixon and Ronald Reagan.
As with the great John Ford (Young Mr. Lincoln) before him, it would be out of character for Steven Spielberg to construct a conventional, cradle-to-grave portrait of a historical figure. In drawing from Doris Kearns Goodwin's Team of Rivals, the director instead depicts a career-defining moment in the career of Abraham Lincoln (an uncharacteristically restrained Daniel Day-Lewis). With the Civil War raging, and the death toll rising, the president focuses his energies on passage of the 13th Amendment. Even those sympathetic to the cause question his timing, but Lincoln doesn't see the two issues as separate, and the situation turns personal when his son, Robert (Joseph Gordon-Levitt), chooses to enlist rather than to study law. While still mourning the loss of one son, Mary (Sally Field) can't bear to lose another. Playwright Tony Kushner, who adapted the screenplay, takes a page from the procedural handbook in tracing Lincoln's steps to win over enough representatives to abolish slavery, while simultaneously bringing a larger-than-life leader down to a more manageable size. In his stooped-shoulder slouch and Columbo-like speech, Day-Lewis succeeds so admirably that the more outspoken characters, like congressman Thaddeus Stevens (Tommy Lee Jones) and lobbyist W.N. Bilbo (James Spader), threaten to steal the spotlight whenever they enter the scene, but the levity of their performances provides respite from the complicated strategising and carnage-strewn battlefields. If Lincoln doesn't thrill like the Kushner-penned Munich, there's never a dull moment--though it would take a second viewing to catch all the political nuances. --Kathleen C. Fennessy
SPITFIRE is a cinematic, epic, sweeping tale of determination, vision and courage. It is the story of an aeroplane that was forged in competition, shaped as the war clouds gathered, and refined in the white heat of combat going on to become the most famous fighter plane ever made. Credited with changing the course of world history, this is the story of the Spitfire told personally in the words of the last-surviving combat veterans. With breath-taking aerial footage from the world's top aviation photographer John Dibbs and rare digitally re-mastered, archive footage from the tumultuous days of the 1940's, when her power in the skies was unrivalled; all combined with an incredible soundscape of the famous Merlin engine, pierced with gunfire, makes this a striking and poignant film.
Apple TV's epic space drama returns for a second season. Nearly a decade after the events of the Season One finale, technology and lunar exploration have taken huge strides - but a solar storm threatens the astronauts on Jamestown. This thrilling what if' take on history from Ronald D Moore (Outlander, Battlestar, Galactica) spotlights the high stakes lives of NASA astronauts and their families.
The man behind "The Sixth Sense" and "Signs" returns with a tale about an isolated village whose inhabitants live with the frightening knowledge that evil and foreboding creatures live in the surrounding woods.
A doomed Macaulay Culkin becomes the object of affection for a little girl (Anna Chlumsky), estranged from her widowed father (Dan Aykroyd). This somewhat daring premise has various emotional buffers to keep young viewers from going into shock from Culkin's demise, but My Girl is also not shut off from real feelings. And while the story remains safely predictable, at the end of the day it is still a bittersweet experience. Culkin's performance is okay in that somewhat mannered way of his post-Home Alone career, but Anna Chlumsky is unusually sophisticated in her understanding of her character and situation. Aykroyd and Jamie Lee Curtis are perfectly stable as the kids' single parents. This is directed by Howard Zieff (Private Benjamin). --Tom Keogh
Before Harrison Ford assumed the mantle of playing Tom Clancy's Jack Ryan hero in Patriot Games, Alec Baldwin took a swing at the character in this John McTiernan film and hit one to the fence. If less instantly sympathetic than Ford, Baldwin is in some respects more interesting and nuanced as Ryan, and drawing comparisons between both actors' performances can make for some interesting post-movie discussion. That aside, The Hunt for Red October stands alone as a uniquely exciting adventure with a fantastic co-star: Sean Connery as a Russian nuclear submarine captain attempting to defect to the West on his ship. Ryan must figure out his true motives for approaching the US. McTiernan (Predator, Die Hard) made an exceptionally handsome movie here with action sequences that really do take one's breath away. --Tom Keogh
Immerse yourself in three seasons of this global hit drama starring Jenna Coleman as Queen Victoria, a nineteenth century heroine for our times, alongside an all-star cast including Tom Hughes, Rufus Sewell and Diana Rigg. This landmark account of the life of one of history's greatest monarchs begins as Victoria takes her first faltering steps from capricious, hormonal teenager to respected monarch, navigating palace intrigue and constitutional crises alongside an epic romance with her cousin Prince Albert (Hughes). As Victoria's reign continues, she must face the very modern challenge of balancing a growing family with her husband and her work as ruler of the most powerful nation on earth. As the lavish saga unfolds over vital moments in history, the Queen and Prince Albert must meet each public challenge whilst confronting profound personal changes. Life as a mother, wife, and Queen has never been more demanding.
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
A slick, smart vehicle for Steve Martin and Goldie Hawn, Housesitter offers an acceptably daffy premise and enough inventive business to sustain it through to the, not unexpected, happy ending. Architect Martin builds a dream home for his childhood sweetheart (Dana Delaney) only to be rejected when he proposes marriage. After a one-night stand, Hawn--a daffy waitress with a gift for making up improbable but convincing lies--moves into Martin's house and tells his parents (Donald Moffatt, Julie Harris) and the whole community that she is his surprise new wife. When he sees how this impresses Delaney, Martin goes along with the charade, encouraging wilder and wilder fictions and doing his best to join in so that he can rush through to a divorce and move on to the woman he has always wanted. Hawn has to recruit a couple of winos to pose as her parents and impress Martin's boss into giving him a promotion, but we glimpse her real misery at his eventual intention to toss her out of the make-believe world she has created because her own real background is so grim. Its sit-com hi-jinx are manic enough not to be strangled by an inevitable dip in to sentiment towards the end, and Hawn, who always has to work hard, is better matched against the apparently effortless Martin than in their subsequent pairing in Out-of-Towners. Martin, often wasted in comparatively straight roles, has a few wild and crazy scenes as Hawn prompts him into joining her improvised fantasies. Director Frank Oz, a frequent Martin collaborator (Dirty Rotten Scoundrels, Little Shop of Horrors, Bowfinger), is the model of a proper, competent, professional craftsman when he sets out to put a comedy together--but the film misses streaks of lunacy or cruelty that might have made it funnier and more affecting. On the DVD: The disc offers a pristine widescreen non-anamorphic transfer, letterboxed to 1.85:1. There are no extra features to speak of, just text-based production notes, cast and director bios, plus a trailer and an assortment of language and subtitle options. --Kim Newman
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
In early 1970's England, a traditional Pakistani father (Om Puri) finds his family spinning in decidedly non-traditional directions.
Times are hard for habitual guest of Her Majesty Norman Stanley Fletcher (Ronnie Barker). The new prison officer Beale makes Mackay (Fulton Mackay) look soft and what's more an escape plan is hatching from the cell of prison godfather Grouty and Fletcher wants no part of it. The breakout is set for the day of a morale-raising football match between a ""celebrity"" football team and the inmates of Slade. Everything is going to plan until Godber (Richard Beckinsale) is injured on th
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